Musica da Camera's Continuum

Sundays at 6 a.m. on 89.9 WWNO & 8 p.m. on Classical 104.9
  • Hosted by Milton Scheuermann and Thais St. Julien

The first Continuum broadcast was in February, 1976, and was hosted by Milton Scheuermann. Thais St. Julien joined him on the second, and the two have continued to co-host the weekly program ever since. During the past 42 years, they’ve produced over 1900 programs! Continuum has been a winner of the Early Music America/Millennium of Music National Radio Competition, and received the KXMS Fine Arts Radio International Award (Classical Radio Programing with Educational Content).

In addition to presenting a variety of recorded music of the middle ages, Renaissance and Baroque from the Musica da Camera’s 4,000 CD collection, the co-hosts have interviewed a number of internationally known performers, including John Reeves White (director of the New York Pro Musica) David Munrow (director of the Early Music Consort of London), Anonymous 4, and members of the Boston Camerata, and Sequentia. The program has also featured recordings of live early music concerts of both Musica da Camera and guest artists.

This week on Continuum you'll hear a program of the music of Bach. Two of the six Suites for Solo Cello will be performed by the outstanding cellist, Tess Remy-Schumacker. And excerpts from the motet repertoire of the composer will round out the program. The music is from the two CDs: Suites for Cello Solo: Nos. 1, 2 & 3 (Tess Remy-Schumacker) Xolo1011, and Johann Sebastian Bach Motetten (The Hilliard Ensemble) ECM 1875.

Two of the most famous Renaissance composers of dance music were Michael Praetorius (1571-1521) and Tielman Susato (c.1510-1570). On this Continuum you'll hear a wide selection of this highly spirited music. Performing will be the famous New York Pro Musica and the New London Consort. The music by the New York Pro Musica is from a 1950s sound track of an early video of this most famous early music ensemble. CDs used are: Praetorius/Susato (New York Pro Musica) L’Oiseau-Lyre 436 132-2, and Tielman Susato: Dansereye (New London Consort) Universal UMD 80565.

Continuum this week will present a special New Year's program of early music, both sacred and secular and also festive. The sacred music is primarily from the Manuscrit du Puy which brings together a varied group of Aquitanian monodic and polyphonic chants for the New Year from the 12th to the 16th centuries. The secular music will be spirited French estampie dances of the 14th century. Performing will be Ensemble Gilles Binchois, Theatre of Voices and Ensemble Tre Fontane.

This week on Continuum you'll hear excerpts from the Feast of Fools, a post-European Christmas event dating from the Middle Ages. Occurring between Christmas and Epiphany, this celebration was marked by much license and buffoonery. The clergy and the laity traded places for a day and interesting things happened, particularly in The Mass of the Ass.

You'll hear it from these CDs: The Feast of Fools (The New London Consort) L’Oiseaus-Lyre 433 194-2, and La Fete de L'Ane (Clemencic Consort) Harmonia Mundi HMT 7901036.

On this Continuum you'll hear a special program of early Christmas music performed by the New Orleans Musica da Camera. This is music from their CD, Natus Est, directed by Continuum hosts Milton Scheuermann and Thais St. Julien.

This week, Continuum presents a program of medieval Christmas music, most of which is unknown to modern day listeners. Beginning with Aquitanian selections of the 12th century, the program progresses through the Italian, Spanish and German repertoire, ending with a selection of 15th century English carols.

English singer, lutenist, guitarist and composer Martin Best is the subject of this Continuum program. He has been active in early music since the mid 1970s with special emphasis on Renaissance music and minstrel songs of the French troubadours and trouveres.

Hundreds of medieval and Renaissance dances have come down to us over the past centuries. On this program Continuum presents recordings of a wide selection of these dances by two very early "early music ensembles", the New York Pro Musica, under the direction of founder Noah Greenberg, and the New York Renaissance Band, under the direction of founder Sally Logemann. The New York Pro Musica is the prime ensemble which began the world wide early music interest movement in 1952.

This Continuum presents Making Merrye, a highly spirited program of joyful songs and dances featuring cheerful sounds and ringing melodies of the late-medieval period. Bombards, shawms, lutes, harps and gitterns provide a rich program of music, with songs and instrumental music from Spain, Italy, France and Britain. Performances are by a wide variety of very talented instrumentalists with the assistance of The Oxford Girls' Choir. Recording used is: Marking Merrye (Various instrumentalists and The Oxford Girls' Choir) -The Gift of Music CCL CDG 1062.

Continuum presents a program of Renaissance Band Music. The musical band is a group of specialized musicians usually playing various types of wind instruments sometimes with added vocals. You’ll hear three Renaissance bands performing; The New World Renaissance Band, Piffaro - The Renaissance Band, and The New York Renaissance Band. Included on the program is a suite of dances from the composition, Terpsichore, named after the muse of the dance, by composer Michael Praetorius (1571-1621).

Pages