JazzSet with Dee Dee Bridgewater

Young Jon Faddis, born in 1953, learned every note Dizzy Gillespie ever recorded. Then Faddis found Gillespie and reacquainted the older trumpeter with some of his own best work. Their relationship became a close mentorship in jazz, maybe the closest. Now, Faddis advances the Gillespie style — fast, syncopated, chromatic, teasing, conversing, climbing step by step (sometimes tacking crosswise), racing up and down the hills, having serious fun.

Ninety years ago near the village of Katonah, N.Y., art lovers Walter and Lucie Rosen bought Caramoor, a wooded estate, and built a home for their collection of painting and sculpture. Every room was a gallery, including their favorite, the Music Room; after they lost their only son in World War II, they presented a small concert series there to honor him. So began the transformation of Caramoor from a private home to an arts center and treasure for Westchester County, north of New York City.

It's New Year's Eve at The Blue Whale, a "live jazz + art space" in the Little Tokyo section of downtown Los Angeles. Founded in 2009 by singer Joon Lee, this is a listening room. There's food at the bar, poetry (Rumi!) on the ceiling, and wall-to-wall people. The Blue Whale has been sold out for days, and the phone keeps ringing off the hook because everybody wants to be on the air, cheering for Billy Childs live on NPR's Toast of the Nation.

Dee Dee Bridgewater's smile says it all: she's singing this week on JazzSet from the Caramoor Jazz Festival.

All summer, Caramoor presents chamber music, opera, Latin music, a resident orchestra and more — rain or shine. And it did rain in 2012, though the audience stayed dry under the Venetian Theater roof with Bridgewater and her awesome band.

There are three stages at the Newport Jazz Festival. At least two are always running simultaneously. Given the surfeit of options, it's rare to hear a complete set. The question begins to nag: Should be we somewhere else? And away you go, leaving a work in progress to make sure you don't miss one getting underway.

But sometimes if you choose a spot on the lawn and stay put, the juxtaposition of two bands delivers a fine festival experience. Sunday morning, August 5, 2012, on the Quad Stage is such a time.