Musica da Camera's Continuum

Sundays at 6 a.m. on 89.9 WWNO & 8 p.m. on Classical 104.9
  • Hosted by Milton Scheuermann and Thais St. Julien

The first Continuum broadcast was in February, 1976, and was hosted by Milton Scheuermann. Thais St. Julien joined him on the second, and the two have continued to co-host the weekly program ever since. During the past 42 years, they’ve produced over 1900 programs! Continuum has been a winner of the Early Music America/Millennium of Music National Radio Competition, and received the KXMS Fine Arts Radio International Award (Classical Radio Programing with Educational Content).

In addition to presenting a variety of recorded music of the middle ages, Renaissance and Baroque from the Musica da Camera’s 4,000 CD collection, the co-hosts have interviewed a number of internationally known performers, including John Reeves White (director of the New York Pro Musica) David Munrow (director of the Early Music Consort of London), Anonymous 4, and members of the Boston Camerata, and Sequentia. The program has also featured recordings of live early music concerts of both Musica da Camera and guest artists.

This Continuum presents music by the 15th century French composer, Johannes Ciconia. Beside composing music he was also a music theorist of the late Middle Ages. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapel(s) and at Padua cathedral. The Chansonnier Cordiforme dates from the 1470s and is a heart-shaped manuscript containing 43 songs of Dufay, Binchois, Ockeghem, Busnoys and others including several unica.

Continuum presents a program devoted to the music of Guillaume Dufay, who was a Franco-Flemish composer and music theorist of the early Renaissance and the most important composer of his time. He belonged to the group of composers known as the Burgundian School. Dufay had more influence on music in Europe than any other composer of the 15th century and is considered the first major composer of the beginning of the Renaissance period.

Continuum presents a program of early music from the Ars Subtilior period, a musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, and in northern Spain at the end of the 14th century. The style is found also in the French Cypriot repertory. The music of this period is highly refined, complex, very difficult to sing and perform, and probably was produced, sung and enjoyed by a small audience of specialists and connoisseurs. The recording used is: Ars Subtilior - Dawn of the Renaissance (Various performers) - Century 5 - Vol. 7.

On this Continuum you'll hear European polyphonic music of the 14th century which flourished in France and the Burgundian Low Countries. The Ars Nova can be described  as "new technique", or "style", following the Ars Antiqua style of the 13th century, particularly the style of the older Notre Dame school in Paris at that time. The recording used is: A Revolution in the Late Middle Ages (The Ars Nova) (Various performers) - Century 5 - Vol. 6.

 

This Continuum presents unique contemporary performances of medieval music in accordance with the modern revival of music from this period, hence the name, Neo-Medieval. The three ensembles have been highly praised for their approaches to performing this music. All are different from each other but each gives excellent interpretations of the selections. Recordings used are: Sapphire Night  (Tapestry) - MDG 344 1193-2, Neo-Medieval (Hesperus) - Dorian DIS 80155, and Darkness Into Light (Anonymous 4) - Harmonia Mundi HMU 907274.

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