Musica da Camera's Continuum

Sundays at 6 a.m. on 89.9 WWNO & 8 p.m. on Classical 104.9
  • Hosted by Milton Scheuermann and Thais St. Julien

The first Continuum broadcast was in February, 1976, and was hosted by Milton Scheuermann. Thais St. Julien joined him on the second, and the two have continued to co-host the weekly program ever since. During the past 42 years, they’ve produced over 1900 programs! Continuum has been a winner of the Early Music America/Millennium of Music National Radio Competition, and received the KXMS Fine Arts Radio International Award (Classical Radio Programing with Educational Content).

In addition to presenting a variety of recorded music of the middle ages, Renaissance and Baroque from the Musica da Camera’s 4,000 CD collection, the co-hosts have interviewed a number of internationally known performers, including John Reeves White (director of the New York Pro Musica) David Munrow (director of the Early Music Consort of London), Anonymous 4, and members of the Boston Camerata, and Sequentia. The program has also featured recordings of live early music concerts of both Musica da Camera and guest artists.

This Continuum presents a program of early English music performed by a unique ensemble known as The King's Noyse, the leading North American Renaissance-style violin, viola and cello ensemble. The music is from three of their CDs entitled Canzonetta, Holborne's "My Selfe", and The Queen's Delight. Recording's used are: Harmonia Mundi France HMU 907127, Harmonia Mundi HMU 907238 and Harmonia Mundi France HMU 907180.

One of the major American early music ensembles, The Baltimore Consort, was founded in 1980. On this Continuum you'll hear a wide variety of excerpts from three of their CDs, featuring the female singer, Custer LaRue, who specializes in Renaissance music and traditional Folk music. The recordings uses are: The Ladyes Delight - Dorian 90252 DOR, The Art of the Bawdy Song - Dorian DOR 90155, and The Mad Buckgoat - Dorian DOR 90279.

A very large repertoire of Sephardic music is available on CD recordings. Continuum is pleased to present a wide selection of Songs of the Sephardim from their library performed by three recognized ensembles who play this music expertly. The recordings used are A Song of David (La Rondinella) - Dorian DIS-80130, The Sacred Bridge (The Boston Camerata) - Erato 2292-45513, and Diaspora Sefardi (Hesperion XXI) - AliaVox AV9809.

This Continuum program features three famous singers of the past performing songs from the early music repertoire. The singers are countertenor Alfred Deller, mezzo-soprano Jan DeGaetani and soprano Victoria De Los Angeles. They present a variety of early music selections recorded over forty years ago. Recordings used are: Alfred Deller: Portrait of a Legend (Alfred Deller et al) - Harmonia Mundi HNX 290261, Jan DeGaetani Early Music Recital (Jan DeGaetani et al) - Bridge 9087, and Songs of Spain (Victoria De Los Angeles) - EMI Classics 7243 5 66937 2 2.

Continuum presents a program devoted to Renaissance flute music from the 16th century, specifically from the Chanson Musicales, printed in Paris in 1533 by the famous French printer, Pierre Attaingnant. Copies of actual Renaissance wooden flutes are used by the ensemble, Zephyrus Flutes, directed by Nancy Hadden. A Renaissance lute is added in a number of the selections. The recording used is: Pierre Attaingnant - Chansons Musicales, Paris 1533. (Zephyrus Flutes) ZF001. 

This Continuum presents music by the 15th century French composer, Johannes Ciconia. Beside composing music he was also a music theorist of the late Middle Ages. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapel(s) and at Padua cathedral. The Chansonnier Cordiforme dates from the 1470s and is a heart-shaped manuscript containing 43 songs of Dufay, Binchois, Ockeghem, Busnoys and others including several unica.

Continuum presents a program devoted to the music of Guillaume Dufay  (1397-1474), who was a Franco-Flemish composer and music theorist of the early Renaissance and the most important composer of his time. He belonged to the group of composers known as the Burgundian School. Dufay had more influence on music in Europe than any other composer of the 15th century and is considered the first major composer of the beginning of the Renaissance period.

Continuum presents a program of early music from the Ars Subtilior period, a musical style characterized by rhythmic and notational complexity, centered in Paris, Avignon in southern France, and in northern Spain at the end of the 14th century. The style is found also in the French Cypriot repertory. The music of this period is highly refined, complex, very difficult to sing and perform, and probably was produced, sung and enjoyed by a small audience of specialists and connoisseurs. The recording used is: Ars Subtilior - Dawn of the Renaissance (Various performers) - Century 5 - Vol. 7.

On this Continuum you'll hear European polyphonic music of the 14th century which flourished in France and the Burgundian Low Countries. The Ars Nova can be described  as "new technique", or "style", following the Ars Antiqua style of the 13th century, particularly the style of the older Notre Dame school in Paris at that time. The recording used is: A Revolution in the Late Middle Ages (The Ars Nova) (Various performers) - Century 5 - Vol. 6.

This Continuum presents unique contemporary performances of medieval music in accordance with the modern revival of music from this period, hence the name, Neo-Medieval. The three ensembles have been highly praised for their approaches to performing this music. All are different from each other but each gives excellent interpretations of the selections.Recordings used are: Sapphire Night  (Tapestry) - MDG 344 1193-2, Neo-Medieval (Hesperus) - Dorian DIS 80155, and Darkness Into Light (Anonymous 4) - Harmonia Mundi HMU 907274.

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