Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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Joan Shelley's songs have the sturdy, classic construction of folk tunes. But even when the tone is serene, there's a distinctly modern restlessness lurking below the surface.
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On the 50th anniversary of the band's landmark album Green River, we dig into how the band formulated its singular sound, its legacy and how Creedence's music still resonates today.
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Thom Yorke has always had a dread of technology. But the Radiohead frontman's latest album, ANIMA, explores that dread with the help of technology.
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The legendary Brazilian inverted the cacophony of samba, creating a worldwide sensation, forever influencing the sound of an entire country.
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Flamagra, the latest album from Flying Lotus, plays like a high-speed chase through a carnival fun house — a sideshow attraction of the mind.
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The 50th anniversary Jazz Fest: The New Orleans Jazz & Heritage Festival box set, out now, focuses on jazz legends and rising stars from the region.
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When Broderick moved from Brooklyn to rural Oregon, she encountered a sense of isolation and impermanence. Her latest album, Invitation, is a portrait of that upheaval.
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It's been six years since Dido released an album. Her latest, Still on My Mind, is at its best when it does more with less.
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Sean Lennon and Primus' Les Claypool explore a surreal intersection on South of Reality, where the fitful upheavals of progressive rock collide with soaring, blissed-out refrains.
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Drummer and composer Antonio Sanchez's album, Lines In The Sand, is a cinematic homage to the journeys of migrants heading to the U.S. border. It's a formidable, epic series of compositions.