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This is American Routes, about to go into the studio with Creole jazz and soul singer John Boutté. You may know him for singing his theme for the TV series Tremé. John comes from an African, French, Spanish, Native, and Irish family background that begins in the mid-18th century New Orleans. His immediate family numbered ten kids; singing was a household and street corner pastime. John counts the influence of jazz elders, like Paul Barbarin, Louis “Big Eye” Nelson, and Danny Barker, as well as New Orleans piano and vocal heroes like Allen Toussaint, Dr. John, and James Booker. The quality of his voice has been recognized by Stevie Wonder. He's been paired in shows with Lou Rawls and Herbie Hancock. A New Orleans vocal icon who was raised in a storied, musical neighborhood. I asked John about it.

We’re live at Marigny Studios with Little Freddie King, an old school bluesman from McComb, Mississippi who lives in New Orleans’ 9th Ward. Little Freddie is a great teller of tales. During the session, we talked about his comings and goings in music, and I asked about the story behind his homemade first guitar.

Yvette Landry wears many hats: musician, songwriter, educator, author, and record producer. Hailing from Breaux Bridge, Louisiana, Yvette grew up listening to music but wasn’t interested in playing music until later in life. After her dad was diagnosed with cancer, Yvette bought a bass for Cajun jam sessions with the Lafayette Rhythm Devils. She went on to join the female-led Cajun band Bonsoir, Catin, and now fronts the Yvette Landry Band. Though she’s performed internationally, Yvette has stayed close to home, teaching American Sign Language and songwriting at the University of Louisiana, Lafayette.

This is American Routes from New Orleans, a city of music and songs, many of which have been written about it, often by outsiders. “Way Down Yonder in New Orleans"–music by John Turner Layton and lyrics from Henry Creamer–was published in 1922. “Way Down Yonder” was advertised as "A Southern Song, without A Mammy, A Mule, Or A Moon.” That was a rightful dig at some of the Tin Pan Alley clichés of the day. “Way Down Yonder in”–I say–“New Orleans" has been performed by many: Benny Goodman, the Andrews Sisters, Freddy Cannon, Jan and Dean, and Dean Martin. And now let’s go “Way Down Yonder” and beyond, starting with a fresh version of the old song from New Orleans Jazz Vipers on American Routes.

This is American Routes Live, I’m Nick Spitzer. We’ve got jazz trumpeter from Preservation Hall, Wendell Brunious with his New Orleans All Stars.Wendell Brunious is from a famed New Orleans Creole jazz family. He is the son of Nazimova Santiago and John Brunious, Sr., a trumpeter who played with Onward Brass and Young Tuxedo Brass Bands, and Paul Barbarin. Wendell Brunious’ brother was the late John Brunious, Jr., also a trumpeter who lead the Preservation Hall Jazz Band. Over the years, Wendell Brunious sang with Chief John and the Mahogany Hall Stompers in the 1960s. He studied at Southern University, worked with Danny Barker in the ‘70s, and later played on Bourbon Street and with Kid Thomas Valentine, Eureka Brass, Lionel Hampton, Linda Hopkins, Sammy Rimington and Louis Nelson. Right now it’s Wendell Brunious and band on American Routes Live

This is American Routes for Halloween, All Saints, All Souls days from the Christian and pre-Christian Celtic calendars of saints and spirits, and now the African diaspora to the Caribbean and Gulf South, first with a late beloved Neville Brother of blessed memory.

Byrds and Flying Burrito Brothers co-founder Chris Hillman is a musician, singer, songwriter, and author. A third generation Californian, Hillman grew up hearing Count Basie, Duke Ellington, Louis Armstrong, Peggy Lee, Frank Sinatra, all on his parents’ hi-fi. He discovered bluegrass and picked up mandolin by way of Bill Monroe and the New Lost City Ramblers. At seventeen, Hillman joined his first band, the Scottsville Squirrel Barkers, a bluegrass group that included Eagles’ guitarist Bernie Leadon. He later played with the Golden State Boys, the resident bluegrass band for Los Angeles television’s Cal’s Corral, which became the Hillmen. I spoke to Chris Hillman over Zoom, where he told me how he was recruited to play bass for the Byrds at a studio rehearsal in L.A.

Los Cenzontles means “the mockingbirds” in the indigenous Nahuatl language. The band mixes traditional Mexican music with contemporary sounds including American rock and soul. They’ve collaborated with Linda Ronstadt, Taj Mahal, David Hidalgo of Los Lobos, and Jackson Browne, but their main collaborators are children. Los Cenzontles is also a community-based arts academy that teaches music, dance, arts and crafts to its young students. We sat down with Los Cenzontles’ founder and guitarist Eugene Rodriguez and with singers Lucina Rodriguez, and Fabiola Trujillo.

This is American Routes, about to go live at the New Orleans Jazz Museum with keyboard wizard Davell Crawford on piano. In addition to being the Prince of New Orleans piano, Davell is a fine singer and wily raconteur who grew up in French Louisiana’s “hub city” of Lafayette and also in New Orleans. We’ll learn about his large musical career and interests, but first here’s his tribute tune to one of his greatest heroes, the late James Booker. It’s a “Song for James” on American Routes Live.

New Orleans guitar and banjo player Detroit Brooks got a start touring with his musical family, including father George Brooks Sr. of the gospel group Masonic Kings, and his sister, gospel singer Juanita Brooks. Detroit grew up downriver, living four blocks from Fats Domino, and was greatly influenced by the late Creole banjo and guitar player, Danny Barker. He created a festival in his memory. In addition to his career in music, Detroit worked as a barber and for Amtrak. He's well versed in traditional jazz, R&B, soul, and funk. He's here as bandleader of the Syncopated Percolators at the New Orleans Jazz Museum, playing “Hindustan,” on American Routes Live.