music

As a child, Jason Marsalis watched old television shows as much for the music as for anything the characters were doing onscreen. 

“I became a big fan of reruns of the tv show, The Monkees,” he tells Gwen. “My father thought it was just hilarious that I was into this. But when I look back on it, that was music from the 1960s.”

Harry Shearer
Harry Shearer / Harry Shearer

This week on Le Show, Harry Shearer brings us News of the Atom, Mar a Lago Diet Ad Parody, News of the Godly, News From Outside the Bubble, "Spooky Gina" parody song, World of Microplastics, Apologies of the Week, plus original music selections from Harry, and more.

Bruce Boyd Raeburn is known to most people as the curator of the William Ransom Hogan Jazz Archive at Tulane University, a position he held from 1989 until his retirement on January 1, 2018.

Historic New Orleans Collection

TriPod: New Orleans at 300 returns with a new episode about a Mexican band that rocked the city in the 80s -- the 1880s. 

Long, long ago, a band in New Orleans swept the city off its feet, but it wasn’t a New Orleans Band. It was Mexican.

Within Buddhist traditions, “samsara” refers to the karmic cycle of rebirth that a being must travel through on their journey towards enlightenment. While in some traditions this can take many lifetimes to complete, others maintain that, for certain exceptional people, the transformative process can happen within a single lifetime.

She may have started 20 feet from stardom, but she’s gained a lot of ground in the meantime. Growing up in New Orleans’ 9th Ward, Erica Falls absorbed the sounds of everyone from Billy Eckstine and Ella Fitzgerald to the Sugar Hill Gang and the Ohio Players, to Roberta Flack and Steel Pulse.

Since her debut performance on Bourbon St. singing covers for the band, New Directions, Falls honed her craft as a studio session singer for Clarence “Gatemouth” Brown and John Fogerty, on tour with Sting, and more recently as a featured artists with Galactic.

Laine Kaplan-Levenson / WWNO

TriPod put out an episode on the legendary Lastie family — a family that holds generations of iconic musicians. I talked to drummers and first cousins Herlin Riley and Joe Lastie about their experience growing up in this musical family, what it was like to hear Professor Longhair and Dr John play in their living room, what it was like to have their introduce drums into the spiritual church, and what it was like to get yelled at by that same grandfather when they tried to play James Brown in that same spiritual church.

Photograph by Michael P. Smith / ©The Historic New Orleans Collection

Tripod: New Orleans at 300 returns with a new episode that spotlights a famous musical family, the Lasties. Host Laine Kaplan-Levenson sat down with drummers, and cousins, Herlin Riley and Joe Lastie. This is the first in a series of episodes focusing on the rich history of New Orleans music. Listen to the full interview with Herlin Riley and Joe Lastie here

Walter "Wolfman" Washington
Walter "Wolfman" Washington

Outside of New Orleans, Walter “Wolfman” Washington may not be a household name. Nevertheless, he’s spent decades touring as a sideman with some of our city’s best-known acts, such as Irma Thomas and Lee Dorsey.

Bruce Boyd Raeburn is known to most people as the curator of the William Ransom Hogan Jazz Archive at Tulane University, a position he held from 1989 until his retirement on January 1, 2018. Together with his inspired and devoted team of researchers, Lynn Abbot and Alaina Hébert, he helped make “the little engine that could” into a accessible treasury of New Orleans jazz history and a unique public resource where academics, musicians, and enthusiasts alike could connect with the men and women who shaped the sounds of the city.

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