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  • The composer, in a new collaboration with the Grammy-winning choir The Crossing, uses the words of Jeff Bezos and William Penn to explore connections among farming, colonialism and capitalism.
  • Twitter's been going through an especially rough patch lately. But its brand and tweets are well known. Giving those up as the company transitions to X could be an expensive loss of brand value.
  • In some cities, Lyft is allowing women and non-binary passengers to match with women and non-binary drivers. It comes in the wake of lawsuits saying the company failed to protect users from assault.
  • The office-sharing company WeWork has filed for bankruptcy. Once the hottest startup in Silicon Valley, WeWork hit two major hurdles: It ran out of cash and the office-bust of the pandemic.
  • NPR's Scott Simon talks with Larry Levitt of KFF about the state of the U.S. health system as we close out 2025 with no deal in Congress to extend Obamacare subsidies.
  • The global oil trade is remarkably flexible. But key solutions that should be able to address the current oil crisis – like reserves, alternate routes, and boosts in production — are constrained.
  • Country singer Kelsey Waldon grew up in the Ohio River bottoms of Ballard County, Kentucky, a place called “Monkey’s Eyebrow,” where her father runs a hunting lodge and her mother’s family has been farming for generations. Kelsey started writing songs at a young age, went to Nashville at nineteen, played in bars, studied songwriting and later released noted albums that landed her on stage at the Grand Ole Opry. It was there with the now late songman John Prine that she agreed to join his label, Oh Boy Records, in 2019, the first artist Prine had signed in fifteen years. Kelsey counts John as a mentor, but remembers the first encounter with music came from her nanny.
  • Before Hurricane Katrina and the floods that followed, the Greater New Orleans Community Data Center documented neighborhoods, and tracked social and…
  • This summer, more than ever, the challenge is to be and stay cool. So we’re all about songs and sounds as ways to chill out. We asked musicians, critics and producers just what it means to be cool. The late Chicago pianist Ramsey Lewis had a huge hit with a song about cool people, “The ‘In’ Crowd," back in 1965. It was recorded live at the literally underground Bohemian Caverns in Washington, DC. Ramsey Lewis was also known for adapting tunes like "A Hard Day's Night,” “Hang On Sloopy” and "Dancing in the Street" into hip jazz instrumentals. Ramsey Lewis told us he made his own brand of jazz by blending the blues he heard on the Chicago streets with gospel music from home.
  • Max Baca grew up in New Mexico, playing in his dad’s band from age eight. After mastering bass and accordion, he picked up the bajo sexto, a Mexican twelve-string instrument featured in Tejano music. Max Baca Sr. took regular trips to Texas to introduce his sons to the conjunto scene, pioneered by his favorite accordion player, Narciso Martínez. Brothers Max Jr. and Jimmy channeled the San Antonio sound in forming their own band, Los Hermanos Baca. The Bacas were playing cantinas around New Mexico when Max got the call inviting him to tour with the Texas Tornados. He joined the ranks of his musical idol, Flaco Jiménez, and reconnected with the Texas tradition his father instilled. After Doug Sahm’s death in 1999, Max turned full attention to his own group, Los Texmaniacs. The band’s record Borders y Bailes won the Grammy for best Tejano album in 2010.
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