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France will continue sending internationally recruited teachers to work in immersion schools across Louisiana.
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As the federal government announces a rule to eliminate all lead pipes within the next decade, tests by the Water Collaborative found lead within drinking water at 88% of New Orleans homes tested.
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The LSU Board of Supervisors passed a resolution Thursday to eliminate some diversity, equity and inclusion (DEI) programs in its university system.
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Last spring, that momentum came to a head on April 22, when students and alumni filed a legal complaint, calling on the state attorney general to investigate whether Tulane’s investments in the fossil fuel industry violate Louisiana’s Uniform Prudent Management of Institutional Funds Act (UPMIFA).
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This week, LSU celebrates the centennial of Death Valley, a place with a heartbeat as strong as an earthquake. It's known for the gridiron titans that clash on the field, but its true trademark lies in a folklore of dedication and community.
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Joy Clark’s debut solo album is an ode to her Louisiana roots.
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Gulf States Gumbo is your weekly serving of stories from Alabama, Mississippi and Louisiana — cooked up by the Gulf States Newsroom. We'll bring you a mix of stories from our team of reporters and partner stations WBHM, WWNO, WRKF and Mississippi Public Broadcasting. New episodes every Friday starting October 18. Please subscribe and don’t forget to stir your roux!
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On Nov. 5, East Baton Rouge residents will decide on hundreds of changes to the parish's Plan of Government that was originally enacted in 1949.
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It used to fight fires. Now, it’s fighting rising rents.
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Louisiana’s Cajun and Creole heritage will be showcased at 50th annual Festivals Acadiens et CreolesOrganizers say what started as a one day concert in 1974 has grown into a three-day event and possibly one of the largest Cajun and Zydeco festivals held globally.
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A Nazi-looted Claude Monet pastel has been returned to descendants of the man who owned it when it was seized in Austria decades ago.
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Titled “Beethoven Blues,” Batiste collaborates, in a way, with Beethoven, reimagining these instantly recognizable works into something fluid.