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This is American Routes live in the studio with a few friends. The Stooges Brass Band from New Orleans started as teenagers in 1996 after bandleader Walter "Whoadie" Ramsey heard a performance by Rebirth Brass Band. Walter combined members of two rival high school bands, and they later added hip-hop, funk, and R&B into the setup. The Stooges grew up to play local clubs and jazz second line parades. They went global with videos with hip-hop producer Mannie Fresh. Back home they won local Red Bull Street Kings competitions twice since 2010. Kicking it off: The Stooges on American Routes.

Evan Christopher began playing clarinet in junior high school in Long Beach, CA. His first introduction to New Orleans music was hearing Louis Armstrong's Hot Fives and Sevens with Johnny Dodds and Artie Shaw on his dad’s records. Evan moved to New Orleans in his early 20s. Here he worked as a steamboat clarinetist by day and explored the music scene on Frenchmen Street by night. He went on to collaborate with Tom McDermott, Al Hirt, the New Orleans Nightcrawlers, Galactic, and others. His “Clarinet Road” led him from Socal to New Orleans, San Antonio, Paris, and he now resides in New York City. Evan told us how he came to understand the music of New Orleans.

Cyril Neville, the youngest of the Neville fraternal order, grew up surrounded by New Orleans rhythm and blues hit makers, like James Booker, Earl King, and his brother Art, whose band the Hawketts recorded “Mardi Gras Mambo” in 1954. Cyril got an early start in music playing percussion with his uncle Jolly’s Mardi Gras Indian tribe, the Wild Tchoupitoulas. He joined Art’s funk group, the Meters, in the early ‘70s, and in 1977, Cyril and Art teamed up with Aaron and Charles to form the Neville Brothers. Cyril later founded his own group, Endangered Species, and has become a community and environmental activist, especially in the wake of Hurricane Katrina. Cyril spoke of his musical beginnings some seventy years ago.

Our guest Jonathan Ward is an expert on finding music on antique records. His collection, Excavated Shellac: An Alternate History of the World’s Music includes one hundred 78 RPM recordings and stories from around the world, almost all of which have never been heard since they were first produced. The collection features music from six continents and eighty-nine different countries and regions, recorded between 1907-1967. It was nominated for the Best Historical Album Grammy Award in 2022. I asked Jonathan what drew him to the mostly shellac era of 78 RPMs.

Mona Lisa Saloy is a folklorist, poet, professor, and in 2021 was named Louisiana Poet Laureate. Her poems document and celebrate Creole culture in New Orleans, food, language, music, and more. She's written about sidewalk songs, jump-rope rhymes, hand-clap games, and the Black oral tradition of toasting. Mona Lisa's poetry grew from her youth in New Orleans' Seventh Ward, where music was a major part of life.

Evan Christopher began playing clarinet in junior high school in Long Beach, CA. His first introduction to New Orleans music was hearing Louis Armstrong's Hot Fives and Sevens with Johnny Dodds and Artie Shaw on his dad’s records. Evan moved to New Orleans in his early 20s. Here he worked as a steamboat clarinetist by day and explored the music scene on Frenchmen Street by night. He went on to collaborate with Tom McDermott, Al Hirt, the New Orleans Nightcrawlers, Galactic, and others. His “Clarinet Road” led him from Socal to New Orleans, San Antonio, Paris, and he now resides in New York City. Evan told us how he came to understand the music of New Orleans.

Our guest Jonathan Ward is an expert on finding music on antique records. His collection, Excavated Shellac: An Alternate History of the World’s Music includes one hundred 78 RPM recordings and stories from around the world, almost all of which have never been heard since they were first produced. The collection features music from six continents and eighty-nine different countries and regions, recorded between 1907-1967. It was nominated for the Best Historical Album Grammy Award in 2022. I asked Jonathan what drew him to the mostly shellac era of 78 RPMs.

Singer Allison Russell is a native of Montreal with what she calls “Grenadian Canadian” roots of Afro-Caribbean and Scottish ancestry. You may know her recordings with Our Native Daughters and the Birds of Chicago, or back when with Po’ Girl. In her first solo recording, Outside Child, Russell addressed family abuse in her youth, followed by escape to the road: Vancouver, San Francisco, Chicago. Those early life experiences led Allison years later to make new, compelling songs, expressing freedom from trauma, to love and hope for better times. She lives now with fellow musician JT Nero and their young daughter in Nashville, but Allison Russell began the journey’s narrative in her beloved Montreal.

Eddie Cotton grew up in the Church of God in Christ in Clinton, Mississippi near Jackson. He heard guitar-playing deacons and preachers. His father was a preacher who bought Eddie his first guitar when he was six with plans for him to play for the congregation. After leading the church band, Eddie went on to study music theory at Jackson State University, where he realized that gospel and blues shared the same form, and developed a sound that incorporated blues, gospel, and soul. He continued playing music in church, but pursued a career in blues, opening for Ike Turner and B.B. King, while sticking with fellow musicians in Mississippi and his family.

Each year, Mardi Gras Indians greet the day on the city streets to sing and strut. This has been going on since the late 19th century. The call and response sounds of the Indians often carry the Congo beat, fundamental in New Orleans' musical fabric. The beloved Indian Chief Monk Boudreaux has been masking Indian for more than 70 years. We visited him at home, where he quietly sewed his new suit.