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This is American Routes with a tribute to the legendary New Orleans drummer, James Black. Black also composed tunes like "Monkey Puzzle" and "Dee Wee," both recorded by Ellis Marsalis' ensemble in the early 1960s. As a composer, Black received support from the National Endowment for the Arts.

Our guest this hour is the late Bob French, a traditional jazz drummer, local radio host, and trenchant commentator on the New Orleans scene, famous for his love of local music. He and I sat down to talk things over a little while back on a comfy couch before his show at the DBA Club downriver in Faubourg Marigny. His father Albert French was a banjo player, but the band tradition goes back to the Original Tuxedo Jazz Orchestra early in the 20th century.

The late Dr. Lonnie Smith of B-3 organ fame was a native of Buffalo, NY, where he got noticed sitting in with Jack McDuff. Lonnie Smith moved to New York City to join George Benson’s quartet and scored a solo record deal with Columbia. “Doc” Smith mixed jazz, soul, blues and pop in his own compositions, as well as covers of Coltrane, Hendrix and Beck. Growing up, Lonnie Smith sang gospel songs in church and at home. His brothers played guitar and drums. Lonnie’s first instrument came to him magically, he says, “almost like in a movie.”

Susan Tedeschi grew up outside of Boston in a family of grocery store owners. Derek Trucks was raised in Jacksonville, Florida, listening to the Allman Brothers, his uncle Butch Trucks’ band. Worlds apart, Susan and Derek each honed their chops at local jams and pursued musical careers destined to collide. Susan attended the Berklee School of Music, toured with the Dead, and released eight solo albums. Derek played guitar in a later lineup of the Allman Brothers for fifteen years and released ten albums under his own name. Now married with two kids, the solo musicians joined forces in 2010 to form the Tedeschi Trucks Band. I spoke to them in 2017.

Alice Gerrard has been a musician, researcher, publisher, and advocate for old-time music for much of her life. She's best known for performing and recording bluegrass and country with West Virginian, Hazel Dickens. Alice produced Sprout Wings and Fly, a film about North Carolina fiddler Tommy Jarrell. Her introduction to old-time music happened at Antioch College in the 1950s with husband Jeremy Foster and friends. The couple soon moved to the D.C.-Baltimore area for work and found a community of traditional musicians and their followers. Alice Gerrard recalled those days.

Christian Parish Takes the Gun, also known as Supaman, is an Apsáalooke rapper from Crow Agency, Montana. Supaman grew up in and out of foster care with alcoholic parents. He turned to hip-hop to escape from struggles he faced on the reservation. His music draws on a connection from urban style and words to cultural and spiritual life as a Native American. Supaman preserves his culture with his music and fancy dancing to express himself and uplift those around him.

Musaica Chamber Ensemble returns to Crescent Classical in advance of their 2024-2025 season, Hidden Treasures.

Leonard “Flaco” Jiménez is the most influential Texas-Mexican accordion player of his time. Flaco’s father Santiago Jiménez Sr. helped create the style called “conjunto” or “la música norteña,” from rancheras to polkas. Flaco Jiménez was born in 1939 in San Antonio and carried his father's sound forward. In addition to singing, Flaco became famous for his rhythmic drive, inventive solos and stage antics. From his 1950s teenage days playing local dances, Flaco emerged in the early ‘70s to record with Doug Sahm and Ry Cooder, and later Linda Ronstadt and Los Lobos. I talked to the squeezebox king about his sound and his name.

Singer/guitarist Charley Crockett plays what he calls "Gulf and Western” music, a combination of blues, R&B, soul, country and more found along the Gulf Coast from Texas to Louisiana. It makes sense, since that's where he grew up, living with his mother in a trailer. Charley’s lived many lives, hitchhiking with his guitar from coast to coast, playing in subways and city streets in New York City, New Orleans and Paris; working farms in California, running into trouble with the law and later his health with open heart surgery. He's recorded several highly acclaimed albums and is known for his takes on classic country tunes as well as original songs. But for Charley, the blues is where it all began.

James Chambers took the name Jimmy Cliff to reference the heights he would climb as a musician, singer, and actor. Since Cliff’s birth during a hurricane in rural Jamaica, people believed he was special. Cliff’s dissatisfaction with country life led him to Kingston where he met Chinese-Jamaican record producer Leslie Kong, who helped launch his career with a 1962 hit, “Hurricane Hattie.” Cliff helped Jamaican music go global performing in the film The Harder They Come. Jimmy Cliff told me how his voice carried him out into the world.