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James Kagambi is a 62-year-old former teacher and a top mountaineer. He's also the first Kenyan to summit Mount Everest, and talks about why this is an key milestone for Black and African climbers.

Steve Masakowski has worked with Allen Toussaint, Mose Allison, Dianne Reeves, and many others. He’s a Blue Note recording artist, member of the fusion group Astral Project, inventor of the keytar, and professor of Jazz Studies at the University of New Orleans. Steve is also father to professional musicians Sasha and Martin Masakowski. In 2018, we spoke to all three about their home life, solo careers, and performing together as the Masakowski Family.

I've known pianist, songmaker, and performer Heath Allen for over fifty years. We met at Penn in Philadelphia where Heath studied under composer George Crumb. Heath Allen is originally from Harrisburg, Pennsylvania, but stayed on in West Philly, building a career as a cabaret band leader, in musical theater, and creator of the Popera, Andy, an opera about Andy Warhol, among many other activities. Over the years, Heath has worked with performers ranging from singer-songwriter Susan Werner to a legendary troupe called the Bearded Ladies. Today, at home in the large light filled piano room of his stately West Philadelphia row house, surrounded by electronic keyboards, books, and paintings, Heath Allen sits barefoot at his Steinway Grand Model A, looking out over Japanese maple and Juneberry trees.

The Gullah Geechee people are descendants of those enslaved in the Sea Islands of Florida, North Carolina, Georgia and South Carolina. Because of the remoteness of the plantations, the Gullah Geechee were able to retain some of their African traditions, including the ring shout. It’s a ritual in which participants move counterclockwise in a circle while shuffling and stomping their feet and clapping their hands, in call and response fashion. The tradition is rooted in West African culture, mixed with elements of Christianity. The Gullah Geechee Ring Shouters from Darien, Georgia have preserved this ancestral heritage through performance and education since 1980. They joined us on stage at the New Orleans Jazz Museum where they started with a song you will probably recognize, that came from the Gullah Geechee culture.

This story was reported by Della Hasselle of The Lens, and produced by Janaya Williams.The Algiers Ferry was hit with a reduction in hours last week.…

Jerry Lee Lewis was the first interview I ever did, back in college radio, 1969. I’ve talked to him a couple of times in the nearly fifty years since. It’s always memorable. In 1999, American Routes went to his Nesbitt, MS ranch near Memphis for the Killer’s 64th birthday celebration. The next afternoon, a just-awakened Jerry Lee kindly came to the back kitchen screen door in his robe and glasses, barefoot with Chihuahuas nipping at his heel.

Dr. Michael White is the beloved New Orleans clarinetist leading the Original Liberty Jazz Band. He's also a composer, musicologist, jazz historian, and professor at Xavier University. He's a leading authority and culture bearer of traditional jazz. He's performed globally, is heard on over 50 recordings, received the NEA National Heritage Fellowship. Although Michael has ancestors in traditional jazz, he started in classical music. He later joined the famed St. Augustine High School Marching 100, but it wasn't until his late teens that Michael first heard New Orleans jazz played live at the Jazz and Heritage Festival. He went on to play with Ernest “Doc” Paulin’s brass band, 1975, at a church parade, and in social club parades and jazz funerals. Then, with Danny Barker's Fairview Baptist Church marching band. He later worked with the Young Tuxedo Brass to Wynton Marsalis's band, among many. We'll hear some of that music and more from Dr. Michael White and the Original Liberty Jazz Band.

The Black Masking Indians of New Orleans Carnival—some say Mardi Gras Indians—are neighborhood groups with roots in the late 19th century that include a Chief, a Queen, and roles like Flag Boy, Spy Boy, and Wildman. The Indians are on foot dressed in large, complex, beaded suits depicting Black and Native American histories as warriors with a crown of feathers. They sing, backed by a handmade rhythm section. I walked with Big Chief Tyrone Casby, an educator in everyday life, among his tribe, the Mohawk Hunters, their families and friends in Algiers, on the West Bank of New Orleans.

There have been several ribbon-cutting ceremonies lately on Oretha Castle Haley Boulevard, and more are on the way. The community-based revitalization…

This weekend New Orleans voters decide whether to extend and redirect a property tax to fund school maintenance. The measure seems simple: set aside money…