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  • Jimmy C. Newman grew up in French Louisiana, hearing Cajun music as well as Gene Autry and other country musicians. He began playing with Chuck Guillory’s Rhythm Boys. Later he played on the Louisiana Hayride, and in 1956, he joined the Grand Ole Opry. Even with commercial success as a country music star, Newman recalled his roots, introducing a wider audience to Cajun sounds. After his passing in 2014, producer and musician Joel Savoy teamed up with Jimmy’s son Gary Newman, to record a tribute, Farewell, Alligator Man, released on Valcour Records in 2017. Here’s Gary:
  • This is American Routes, remembering Flaco Jiménez, who passed away in July. Leonard “Flaco” Jiménez was the most influential Texas-Mexican accordion player of his time. Flaco’s father Santiago Jiménez Sr. helped create the style called “conjunto” or “la música norteña,” from rancheras to polkas. Flaco Jiménez was born in 1939 in San Antonio and carried his father's sound forward. In addition to singing, Flaco became famous for his rhythmic drive, inventive solos and stage antics. From his 1950s teenage days playing local dances, Flaco emerged in the early ‘70s to record with Doug Sahm and Ry Cooder, and later Linda Ronstadt and Los Lobos. I talked to the squeezebox king about his sound and his name.
  • The weather is cooling down here in Louisiana, which means outdoor events are heating up across our state. Out on the Cajun Prairie, Le Grand Hoorah, a festival dedicated to the music, food, and culture of the people of Acadiana, is coming up November 1st. The annual event turns 10 this year – and to celebrate, Louisiana Eats brings you highlights from our road trip to attend Le Grand Hoorah in 2017. We also learn about NOLA Nite Market, an evening bazaar featuring a plethora of authentic Asian street foods created by local mom and pop restaurants, which will take place November 14th and 15th in Westwego.
  • The Quebe Sisters grew up in Burleson, Texas near Dallas-Fort Worth. Grace, Sophia, and Hulda were homeschooled and largely sheltered from the outside world. At a young age, their attention moved from violin lessons to fiddle contests, immersing themselves in traditional Texas swing. While the 1940s fiddle music was little known to their peers, it was the Quebe Sisters’ ticket to ride. They have since shared the stage with country legends Willie Nelson, Merle Haggard, and Ricky Skaggs. Here’s Sophia Quebe:
  • In honor of the harvest and hallows, we travel down the bayou in Terrebonne Parish, Louisiana, to visit wood carver and Houma Indian Ivy Billiot. Ivy learned the Houma tradition of basket weaving from his father, and although the wood is scarce these days, Ivy still crafts hunting blow guns, violins, and painted carvings of animals. He tells host Nick Spitzer about his relationship to the natural and supernatural worlds.
  • This week we remember the late Raul Malo, who passed away on December 8, 2025. Raul Malo was born in Miami to Cuban parents. In 1989, he started The Mavericks. Named for going against the grain, the Mavericks began in the punk and alternative scene and eventually found great success in country music, incorporating Latin, rockabilly, and pop sounds. By 2000, the group parted ways and Raul Malo pursued a solo career in LA. He joined Los Super Seven with Joe Ely, Freddy Fender, members of Los Lobos, Max Baca, Doug Sahm, and others. In 2012, Malo reunited with the Mavericks, releasing several albums and touring widely. In 2020, they released En Español, an album entirely in Spanish. Making a record like this took Raul many years of listening within and outside his family.
  • Each year, Mardi Gras Indians greet the day on the city streets to sing and strut. This has been going on since the late 19th century. The call and response sounds of the Indians often carry the Congo beat, fundamental in New Orleans' musical fabric. The beloved Indian Chief Monk Boudreaux has been masking Indian for more than 70 years. We visited him at home, where he quietly sewed his new suit.
  • Eddie Cotton grew up in the Church of God in Christ in Clinton, Mississippi near Jackson. He heard guitar-playing deacons and preachers. His father was a preacher who bought Eddie his first guitar when he was six with plans for him to play for the congregation. After leading the church band, Eddie went on to study music theory at Jackson State University, where he realized that gospel and blues shared the same form, and developed a sound that incorporated blues, gospel, and soul. He continued playing music in church, but pursued a career in blues, opening for Ike Turner and B.B. King, while sticking with fellow musicians in Mississippi and his family.
  • Singer Allison Russell is a native of Montreal with what she calls “Grenadian Canadian” roots of Afro-Caribbean and Scottish ancestry. You may know her recordings with Our Native Daughters and the Birds of Chicago, or back when with Po’ Girl. In her first solo recording, Outside Child, Russell addressed family abuse in her youth, followed by escape to the road: Vancouver, San Francisco, Chicago. Those early life experiences led Allison years later to make new, compelling songs, expressing freedom from trauma, to love and hope for better times. She lives now with fellow musician JT Nero and their young daughter in Nashville, but Allison Russell began the journey’s narrative in her beloved Montreal.
  • Byrds and Flying Burrito Brothers co-founder Chris Hillman is a musician, singer, songwriter, and author. A third generation Californian, Hillman grew up hearing Count Basie, Duke Ellington, Louis Armstrong, Peggy Lee, Frank Sinatra, all on his parents’ hi-fi. He discovered bluegrass and picked up mandolin by way of Bill Monroe and the New Lost City Ramblers. At seventeen, Hillman joined his first band, the Scottsville Squirrel Barkers, a bluegrass group that included Eagles’ guitarist Bernie Leadon. He later played with the Golden State Boys, the resident bluegrass band for Los Angeles television’s Cal’s Corral, which became the Hillmen. I spoke to Chris Hillman over Zoom, where he told me how he was recruited to play bass for the Byrds at a studio rehearsal in L.A.
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