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The Gullah Geechee people are descendants of those enslaved in the Sea Islands of Florida, North Carolina, Georgia and South Carolina. Because of the remoteness of the plantations, the Gullah Geechee were able to retain some of their African traditions, including the ring shout. It’s a ritual in which participants move counterclockwise in a circle while shuffling and stomping their feet and clapping their hands, in call and response fashion. The tradition is rooted in West African culture, mixed with elements of Christianity. The Gullah Geechee Ring Shouters from Darien, Georgia have preserved this ancestral heritage through performance and education since 1980. They joined us on stage at the New Orleans Jazz Museum where they started with a song you will probably recognize, that came from the Gullah Geechee culture.
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This is American Routes with a tribute to the legendary New Orleans drummer, James Black. Black also composed tunes like "Monkey Puzzle" and "Dee Wee," both recorded by Ellis Marsalis' ensemble in the early 1960s. As a composer, Black received support from the National Endowment for the Arts.
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This is American Routes Live with New Orleans trombonist Corey Henry and his Treme Funktet at Marigny Studios, at the edge of the French Quarter. As the name of the band suggests, the Faubourg Tremé is an important part of Corey’s family history and his development as a musician. I asked him about the origins of the group.
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Cathy Tenedorio speaks with the Historic New Orleans collection about her son Matthew, one of the victims killed during the 2025 New Year's Day Bourbon Street attack.
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On this week’s episode, we learn more about how one group is using hip-hop and social-emotional learning to better connect with students — with the help of local hip-hop star La Reezy.
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Creole accordion player Edward, “Eddie,” Poullard is a third-generation musician, born in Eunice, LA. He moved to Beaumont, TX, as a young child with his French-speaking family, and started learning music from father, John, a well-known old-time La-La accordionist. When he was nineteen, Eddie played house parties and church dances in his father’s group, the Poullard Family Band. He went on to learn from and tour with Creole fiddler Canray Fontenot. Eddie Poullard is also a master woodworker, specializing in building accordions. He keeps the tradition alive by teaching Creole and Cajun fiddle and accordion styles at festivals and music camps, as well as mentoring musicians from his community and own family.
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We are live with BeauSoleil, the venerable Cajun roots, folk and modernist band, looking back and ahead after fifty years. Brothers Michael and David Doucet were joined by Michael’s son Matthew, also a fiddler and a fiddle maker. I asked David Doucet what’s it like being in a band with his brother Michael.
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The Baltimore-based organization partnered with the budding hip-hop star to bring its social-emotional learning curriculum to a New Orleans high school.